Investigation
| Materials
& Making | Artists
& Approaches | Works
|
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| Final result (fourth glaze
firing). The cylinder looks good and has a
more even glaze coat; previous glazing attempts show
through adding interest. |
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| The third glazing attempt produced
patchiness; some areas were glazed and glossy, and
others not. Gave it one more reglaze with more
Temmoku. |
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| (Result of first reglaze not
shown). A third glazing attempt with more
seaweed brown plus Temmoku Gold. |
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| Trying a reglaze with the seaweed
brown (clear plus iron oxide) and iron oxide
solution (1g:15g water). |
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| After the initial glazing, it looked
junky. |
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| Locke diagnosed that the clay was
vitrified. I looked into options such as ink,
paint, or gluing on sand, but decided to attempt
glazing. I applied red iron oxide solution
(1g:15g water), and a bit of the brown seaweed
glaze. |
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| The cylinder ready for bisque
firing. I was planning to raku it. The
kiln failed and reached Cone 6 temperatures, and the
clay was vitrified. |
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